Buckingham House London Watercolour Urban Legends
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ORIGINAL PAINTING
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£75 4x9 inches (10x23cm)
£100 + "Artist's Studio Frame"

About "Artist" Frames
All Paintings & Prints
can be supplied in

"ready to hang"
handmade and
hand-embellished
"Artist Frames"

 £056 6x12 inches (15x30 cm)
£066 + "Artist's Studio Frame"

About "Artist" Frames
All Paintings & Prints
can be supplied in
"ready to hang"
handmade and
hand-embellished
"Artist Frames"
This Legendary Art is, the most unlikely painting the Artist ever made . . . .
"Though I lived in London for 47 years I hardly ever had cause to go near what Londoners used to call "Buck House" (as back in the day it was indeed called Buckingham House before it became known as Buckingham Palace). As a child, though my parents took me on many, many Sunday walks all over London, I think we only ever walked down the Mall once and it was not until I got to Art School in Charing Cross Road that I ever had cause to more than once, when a college project, a drawing project in nearby St. Jame's Park, caused me to spend time near this legendary building.
"As almost anybody knows, it is the official London residence of the reigning British Monarch, but its history, stretching far back into the days of Wiliam the Conquerer and earlier, are a hugely fascinating subject.
"Originally a large townhouse built for the Duke of Buckingham in 1703, acquired by George III in 1761 as a private residence, known as "The Queen's House", it was enlarged over the next 75 years, mainly by architects John Nash and Edward Blore, Buckingham Palace finally became the official Royal palace of the British monarch on the accession of Queen Victoria in 1837. The palace chapel was destroyed by a German Luftwaffe bomb in World War II and the Queen's Gallery was built on the site and opened to the public in 1962 to exhibit works of art from the Royal Collection, which I was introduced to by my wonderful School Art teacher, Robert Spearman, who was so pivotal in exposing me to everythng from Leonardo's works at "Buck House" to Van Gogh at the brand new Haywood Gallery on the Southbank - heady days for a very young  back in the 60's.
"The history of the actual site is a truly fascinating one, too complex to detail here, but touching upon such pivotal points in British history and associated names as the Manor of Ebury (Middle Ages - also called Eia) the River Tyburn, a "lost river" that flowed from South Hampstead to the Thames that crossed Regent's Park, followed Marylebone Lane to Piccadilly near Green Park, and into the main river near Vauxhall Bridge. The river branched a number of times ('Ty' means "two") and now it runs from South Hampstead through St. James's Park to meet the River Thames at Pimlico near Vauxhall Bridge and flows through underground conduits for its entire length. Marylebone Lane follows the course of the Tyburn through part of Marylebone Village, where the village of Tyburn, recorded in the Domesday Book, stood approximately at the west end of Oxford Street.
"Ownership of the actual site changed hands many, many times, from such as Edward the Confessor and queen consort Edith of Wessex in late Saxon times, William the Conqueror, Geoffrey de Mandeville who bequeathed it to the monks of Westminster Abbey, Henry VIII acquired the Hospital of St James (St. James's Palace) from Eton College, and finally it went back into royal hands for the first time since William the Conqueror nearly 500 years earlier. James I then sold off part of the Crown freehold retaining part of the site and, eventually, in the late 17th century, the freehold was inherited from the property tycoon Sir Hugh Audley by the great heiress Mary Davies. And so it goes on . . . . . .
"Tyburn itself of course has a notorious history. For several hundred years condemned men and women travelled from Newgate to Tyburn, place of very public execution. At the junction of Edgware Road, Park Lane and Oxford Street, the gallows overlooked Hyde Park and the number of people who died there numbered perhaps 40,000 to 60,000, mostly "commoners". It ended in 1783.
"Maybe, being "commoners" my parents had roots (it is said my great (add a few greats) great Uncle Jones was a Welsh Pirate, but not a very successful one as he got hung by the English!) that unconsciously caused them to stay clear of "Buck House and The Tyburn". My mother, being Scottish, probably had zero affinity with English Royalty being a proud member of "Clan Stuart" and definitely a fan of Bonnie Prince Charlie.
"In any event, none of this has much to do with why I made the watercolour, which I openly admit, was from a pang of nostalgia. I LOVE my "studio in the Country" and Shropshire is like paradise on Earth as far as I am concerned, but I do miss "London Town" now and then, and on a walk around on a recent visit, out came the sketch pad and, well, it's "what I do" you know, so that's it - I just wanted to paint something utterly different from anything I have ever been known for, and  can't imagine that a watercolour of "Buck House" fails to fill that role!
"I quite like it.
:)


Solar Wind Peter Andrew Jones

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Paintings of South Shropshire Book
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